Player for UHD televisions offers 4K video, Red file playback
Cinema camera manufacturer Red has started shipping its 4K media player. Users of the Red User forum have started to receive their pre-orders of the Redray Player, which Red bills as a comprehensive media source for owners of Ultra HD televisions that is capable of playing back native 4K video, upscaled HD video, and the company's own 4K .Red file format.
New sensor capable of 6K resolution, 100fps video
Red Camera is allowing users of its Epic-M and Epic-X cinematography cameras to upgrade the camera to the Dragon sensor from tomorrow, the company has announced. The upgrade, previously claimed by the manufacturer to have exceeded expectations after internal testing, will let the camera film at 6K resolution at up to 100fps, and provides three additional stops over the Epic M-X.
Claims seven patents infringed by Red in cameras
Sony is fighting against high-end camera manufacturer Red's patent infringement lawsuit with one of its own. The new filing, claiming that Red has infringed seven of Sony's patents, has been filed in a Central District court in California, and seeks a number of sales injunctions as well as financial compensation.
Injunction sought for banning, destruction of Sony cinema cameras
High-end camera manufacturer Red is suing Sony for patent violations. A pair of patents that relate to the compression of video in-camera in a “visually lossless manner” have been infringed on by three of Sony's cinema-quality cameras, devices that Red is seeking an injunction for to prevent sales and to have them destroyed.
Media player plays 4K .RED content, upscales H.264 files
High-end cinema camera manufacturer Red has opened up pre-orders for its previously teased media player. The Redray 4K Cinema Player is being offered as a comprehensive media source for cinema purists and owners of the high-resolution 4K HDTVs, and filmmakers using the company's 5K-capable line of cameras.
RED video codecs now supported
Apple has released a maintenance update for its Final Cut Pro software, bringing interface improvements and a list of other changes. Dual viewers with separate video scope displays are geared for easier shot comparison, while the Share interface and import window have been redesigned.
Large number of RED cameras used for three-second shot
Cinematic camera maker RED has put some of its pre-owned Scarlet-X cameras up for sale. The "Battle-Tested" ex-rental camera packages include the Scarlet Brain, Side SSD and a Canon Mount at a price of $7,100, instead of the regular $11,900 sum usually charged for the bundle. The reduction brings the price down considerably, but still outside the range of most amateur videographers.
White-only Mysterium-X sensor with ISO of 2,000
Red Camera, the manufacturer of high-end photographic equipment used in films, has opened up pre-orders for its Epic-M Monochrome camera. Using an updated version of the white-only 5K Mysterium-X sensor, it allows for no color debayering through its one-to-one pixel count, with every individual pixel being used for luminance.
RED's 6K Dragon sensor is said to be ultra-clean, offer high dynamic range, more
RED's teased 6K resolution Dragon sensor is exceeding the company's expectations after internal testing, CEO Jim Jannard revealed on the official forums. He promises the sensor will be "the cleanest" ever seen and will be the resolution and dynamic range king. At ISO 2000, Jannard said, the images produced look better than the company's current MX sensor at ISO 800.
RED Dragon and REDray Projector tipped at NAB
RED's Jim Jannard and Jarred Land gave two previews of two high-end technology upgrades. The Dragon will upgrade both the EPIC and Scarlet lines to a maximum 6K resolution. In the process, they also get 120FPS shooting even at 5K, and over 15 stops of dynamic range for better handling of highlights and shadows.
Autodesk Smoke 2013 reworks
Autodesk reworked its video editing and post-shot visual effects tool specifically for Mac users. Smoke 2013 brings a new, unified interface that mixes traditional, editorial track-based editing with Autodesk's own interface elements. A node-based compositing tool, ConnectFX, lets editors insert advanced effects without having to jump to a separate interface.
Apple tells videographer FCPX 2012 plans
Pro videographer Larry Jordan published a preview on Sunday of Final Cut Pro X updates that Apple had promised him would come later in 2012. The current editing app should soon get RED camera support, letting it handle Redcode-capable 4K and 5K cameras like the Scarlet-X without transcoding first. Multichannel audio editing will be added to the pro video tool as well, although how this would work wasn't explained.
Band Pro wants restitution in Arri hacking case
Camera gear maker Band Pro has followed up its win in a corporate espionage trial against Arri by suing it in a demand for damages and the retrieval of its hacked data. The plaintiff wanted to go beyond the damages collected by the admitted hacker, executive Michael Bravin, on the allegations that Arri's own executives knew of the hacking and did nothing to stop it. Arri was also to destroy any business strategies that had arisen out of the information Bravin illegally obtained.
Super HD camera sports $8k price
Sony may soon be releasing a high performance NEX-based camera for the professional videography market. EOSHD quotes sources as saying the company will be unveiling the NEX FS700 at the NAB 2012 conference next month. The camera can purportedly record at 4K resolution with a price point of $8,000.
Canon hints at Cinema EOS DSLR news
Canon has sent out invitations for an April 15 event ahead of the NAB media production expo in Las Vegas. Saying only that "the story continues," it uses the same theme as the Cinema EOS event from November. Its most probable candidate is the Cinema EOS DSLR Canon hinted at in the fall, which would mate a full-frame DSLR body with 4K video recording and cinematography-oriented lenses.
Captures imagery at 2xthe normal rate
Producer and director Peter Jackson may claim one of the first high frame rate movies to reach theaters. Jackson, best known for the Lord of the Rings trilogy, is shooting The Hobbit using his RED Epic-X cameras at 48 frames per second, or twice as fast as the industry standard. Shooting at this faster rate reduces the blurring effect referred to in the film industry as strobing. The effect is most noticeable in action sequences, or when a camera pans and moves down a long hallway.
Sony returns fire by shipping its first 4K pro cam
Sony followed up on its promises at the start of the week by shipping its first CineAlta F65 pro video camera. Movie camera rental firm Otto Nemenz International picked up the 4K-capable camera. About 400 pre-orders had lined up, with "at least two" large studios planning to start using their F65s almost immediately on projects.
Camera may begin shipping after 2+ year beta
RED, the maker of high-end professional hybrid digital still and motion cameras has submitted its latest product, the Epic-X to the FCC for approval. The photos of the submission, have been posted by Wireless Goodness. The 57 images detail the sophisticated modular components of an imaging system used to produce such motion pictures as The Hobbit, The Muppet Movie, and The Girl with the Dragon Tattoo.
4K video to external display in near real-time
JVC has announced the world's first handheld 4K camcorder, the GY-HMQ10. The GY-HMQ10 uses JVC's on-camera Falconbrid Large-Scale Integration processing to deBayer RAW images from the camera's 8.3 million-pixel CMOS sensor in real time. Unlike other 4K cameras, such as RED's Scarlet-X 4K camera system, the GY-HMQ10 can output live 4K via four HDMI terminals to a monitor or projection system with almost no latency. JVC claims the camcorder is the first to be able to capture, process, display and record 4K images in real time.
High-end camera already backordered
RED's Scarlet-X camera has been reviewed by the team at Cinema5D, after the first limited production units began shipping to a select group of customers in November. A video post provides an early look at the professional camera, which starts at $9,700 and is already on backorder.
Red says Arri took ultra HD camera secrets
Red took its accusations of Arri hacking further in the past week by suing Arri directly for claims of corporate spying. Based on a plea by former Arri veteran Michael Bravin, Red argued that the rival beyond-HD video camera designer had used technical details Red was sharing with Band Pro during talks over a possible deal. Bravin's hacking allegedly led to Arri getting unfair help developing its Alexa camera, a direct rival to Red models like the Epic-X.
Tonaci Tran gets first shipping RED Scarlet
Cinematographer Tonaci Tran has become the first person to receive a shipping unit of the RED Scarlet 4K camera. Tran is a known in the industry as a RED product specialist and is often hired on film sets as RED camera supervisor or operator. RED has posted an image of Tran with his new Scarlet unit on its company blog.
RED Scarlet shown in final form at event
RED at its own camera event showed its long-delayed, finished version of the Scarlet. The new version has gone from a complete camera to a central body and sensor that fits into the RED modular system. While not ambitious as the Epic system, it's now one of the least expensive 4K cameras, costing $9,750 despite shooting at its full 4096x2160 at a slightly more than film-grade 25FPS.
Michael Bravin pleads guilty to e-mail hack
A US District Court federal case reveals that Michael Bravin, an executive at Arri Camera, has been charged with illegally accessing the computer and e-mail address of Band Pro Film & Digital and several other companies. He has pleaded guilty and allegedly faces up to two months of jail time. Red camera CEO and found Jim Jannard also revealed his personal e-mail account was hacked as well.
RED to release 4K laser 3D projector soon
RED has posted yet another teaser on its forums, this time being more elusive. Company CEO Jim Jannard posted a quote from Stephen Pizzo, the co-founder of Element Technica and partner of 3ality Technica. Pizzo apparently came away very impressed after seeing a demo of RED's 3D laser projector.
Red promises Scarlet ship dates, specs on Nov. 3
Red company founder Jim Jannard announced on the company's forums that the Scarlet pro-oriented digital camera will be finally unveiled on November 3. The reveal will include technical specs and shipping information, so prices are also expected. The date coincides with Canon's scheduled Hollywood announcement, leading many to guess that RED may be using a similar 4K Super 35mm sensor as Canon, though other are quick to shoot these rumors down.
Red Epic X with 5K resolution ships in quantities
Red has announced that it is now shipping its latest and ‘most sophisticated’ film camera, the Red Epic X, in bulk. The camera incorporates a 5K sensor and a 27 layer ASIC processor which combine to give the camera the ability to shoot at up to 120 frames per second at a full 14-megapixel resolution. Although a digital camera, its resolution is so great that it exceeds the resolution of 35mm motion picture film.
50 RED EPIC-M cameras for Avatar 2?
The chief of RED Jim Jannard has revealed that Academy Award winning director James Cameron has ordered 50 RED EPIC-M cameras. The cameras are a modular design and can be used to shoot in 3D, as two EPIC-Ms can be placed on the same mount and linked. This would deliver two 5k-resolution images at once.
James Cameron and Vince Pace start 3D tech firm
Famous directing team James Cameron and Vince Pace on Monday at their special event said they were forming a new company to tackle 3D hardware in movies and TV. The Cameron-Pace Group hopes to develop technology that would lower the costs of making 3D and get it out to broadcasters. Cameron said he hoped to get a system where "everything will be produced in 3D" and that the 2D version would just have to come from the 3D source.
RED Scarlet becomes EPIC-S with details
RED started the new year with details of the EPIC-S, the newly christened production form of the Scarlet. The name shift reflects a change from the cheaper original body to the same body as the EPIC-M and has the promised upgrade to HDRx (high dynamic range) recording. EPIC-S is focused on "pro, not prosumer," company founder Jim Jannard said.
RED EPIC cam arrives in custom builds
RED this weekend confirmed that the first custom-made EPIC-M cameras were shipping to the earliest members of the program. Camera number 6, the first not headed to RED chief Jim Jannard, was shipped on Friday to OffHollywood studio co-founder Mark Pederson. The 5K resolution camera is already being tested in a live shoot at Niagara Falls and initial impressions of how it works compared to earlier RED cameras, including a RED ONE MX sporting its upgraded sensor.
Launch time-frame still remains unclear
Red has finally allowed a member of the general public to try out a prototype Scarlet camera that will arrived on the market in fixed-lens form. Company representative Jarred Land reportedly showed off the upcoming camera at Red Studios during the Santa Fe 3D Workshop. Aside from the fixed 8X lens, the camera was outfitted with a five-inch display.
Spider-man reboot being shot with RED's EPIC cams
The RED user forum is afire with news of the RED EPIC camera being used to shoot the next Spider-Man movie, due for a release in 2012. The filming with four of the high-end devices started on Monday, and the cameras are also being used to film The Hobbit, as reported earlier, though 30 EPICs were purchased for this purpose. This movie is also due for a 2012 release, but Spider-Man started shooting first.
RED Epic-M to sell early and shoot The Hobbit
RED founder Jim Jannard this weekend revealed that his company would deliver the Epic camera early in the form of a limited pre-production run. The Epic-M will use the new 5K Mysterium-X sensor in a hand-built chassis with a bomb electronic viewfinder, a five-inch touchscreen, an SSD module, a remote and four 128GB SSD cards. Each bundle will cost $58,000 and, with less than 100 to be made, won't necessarily guarantee that every order is fulfilled.
Scarlet future becomes unclear
RED founder Jim Jannard has admitted that his company should not have attempted to engage the consumer market with its upcoming Scarlet camera. The comments come just days after RED announced that it would raise the price of the Scarlet video camera by $1,000, which was said to be necessary to integrate a high dynamic range feature.
RED Scarlet climbs in cost for HDRx support
RED today said it was raising the price of the Scarlet pro video camera by $1,000 to add in a high dynamic range feature, HDRx. The new feature needs a new ASIC chip and extra development but would turn out "incredible" results according to founder Jim Jannard. It would invoke a slight delay but was partly the result of user voting in favor of the upgrade.
RED One MX made available to everyone
RED this weekend finally began wider distribution of its first next-generation camera. After the earlier upgrade program, the Red One MX is now available to everyone. The camera still shoots at the same 4K resolution as the original but uses a modern Mysterium-X sensor with much better low-light performance and other image quality improvements.
Supports more formats, 3D, speed increases
Blackmagic Design today unveiled the Mac upgrade to v7 of the Emmy-winning professional DI color grader, DaVinci Resolve. The software, which requires a 17-inch MacBook Pro for standard-definition or web projects and a top-end Mac Pro for higher-level work, sports an all-new interface, now incorporates Apple ProRes and H.264 formats, supports RED Rocket cards and boasts new stereoscopic 3D grading as well as other features.
RED teases with working Scarlet digital camera
On the company's official forums, RED has shown off a working version of its long-expected and delayed Scarlet. There is also a link to a movie (MOV) that illustrates the fast autofocus function of the camera, as it's controlling an 85mm Canon lens in Single Shot AF mode. Despite these teasers, the camera is still not ready for a mass-market release, but the team at RED is still committed to the project.
YouTube now supports greater than HD video
YouTube today touted a first in web video as it became the first to support greater-than-HD video. It can now handle movies up to 4K widescreen, or 4096x3072; the resolution is about four times larger than 1080p and is dense enough to remain sharp at distances that would normally be reserved for 4K projectors. It can also handle intermediate steps such as 2K and is invoked just by choosing the original video size.
RED EPIC, Scarlet back on track
RED's Jim Jannard late last night updated videographers on the status of its next generation greater-than-HD cameras. He now says the company has overcome the major bug that had kept the EPIC and Scarlet back, and at least the 5K-capable EPIC will be made in the US. The delays have pushed back the cameras by an unspecified amount of time, but the founder was adamant the development time was also to ensure the camera was completely stable when it shipped.
RED shows lightweight, small 5K 3D camera rig
RED founder Jim Jannard has posted a photo of what he calls a working 3D rig that has two EPIC cameras capable of recording 3D images at 5K resolution. The Element Technica rig is said to weigh just over 45lbs, which is apparently very light for such a setup. The package can be made even lighter if the dual RED Brick batteries are replaced with lighter EPIC-X batteries.
RED founder says DSLR makers are playing catch-up
The always vocal RED founder, Jim Jannard, has responded to a thread on a RED-devoted forum regarding DSLR cameras with HD recording capabilities. He opines that current consumer-level DSLRs from the likes on Nikon and Canon, will eventually bring 4K resolution video recording to their products. Jannard says his company wants to be the best, not the biggest, which is why it will bring ever-higher quality and resolutions to its products.
RED cameras set back twice
RED's EPIC and Scarlet cameras have been dealt double blows, company founder Jim Jannard said today. A significant firmware bug is now known to have been holding up both of the greater-than-HD cameras for at least two months. Jannard wouldn't describe the bug but was determined to have it fixed.
RED demos 5K camera and readies smaller cam
RED as promised showed off a working example of the EPIC. The pro camera on display at NAB took 13 seconds to warm up but could shoot its intended 5K resolution. Its upgraded sensor wasn't given a full test, but in previous teases RED has shown it capable of much better light sensitivity than the 4K sensor in the older RED ONE.
RED 5K camera moves to stage 2 with proxy module
RED used the occasion of the NAB trade show to firm up its camera plans. It's near shipping the very early test versions of the EPIC, known as Tattoo models, to its closest customers; these should arrive in May. Pre-orders have also begun for the stage two program of existing RED ONE owners and should see the $19,500 camera reach buyers in roughly July or August.
RED vows stackable readers with FW800, eSATA
RED used the advent of NAB to detail and ship the RED Station, a uniquely modular storage reader for its greater-than-HD cameras. The system revolves around a core base station that supplies most of the power and can add one or more readers to take in different formats. A CF reader takes the most common removable storage on RED's cameras, and the MAG 2.5 loads in notebook-sized hard drives and SSDs. Either reader has two FireWire 800 jacks and one each of eSATA and mini USB.
Red bringing EPIC 5K camera prototype to NAB show
Red founder Jim Jannard announced on the Red User forum that a working model of the long awaited and delayed EPIC camera will be displayed at the NAB show in mid April. The high-end camera, according to specs first released nearly two years ago, is expected to be capable of capturing images at near 5K resolution thanks to a full-frame sensor the same size as traditional 35mm film while still retaining the benefits of a digital sensor.
RED ONE cameras get new sensor Jan 22
RED this evening said it would start offering RED ONE owners an upgrade to its new Mysterium-X sensor next week on January 22nd. The deal will give the 4K camera the improved imaging for $5,750 and will also include a new optical low pass filter. A new version of REDCINE-X will be needed to handle the updated greater-than-HD video and should be available at the same time.
RED's next-gen cameras to get demo
RED early today made clear its efforts to persuade videographers by promising to hold a "RED Day" February 13th. At the Los Angeles gathering, the company plans to show prototypes of its long-delayed EPIC and Scarlet cameras along with some of their accessories. It additionally plans to show the current RED ONE camera outfitted with the new generation's Mysterium-X sensor and to show 4K footage at its native resolution using a Sony 4K projector.